We've been publishing picture books from a converted bungalow in Houston since 2017. Here is how we got here, who we are, and what we are trying to do.
In the summer of 2017, Clifford Miguel — then thirty years into a career editing trade books in New York and Houston — sat down at his kitchen table on Clousson Road and made a list. On one side: the picture books he had loved as a child and still owned. On the other: the picture books he had bought for his grandchildren in the previous five years that had already fallen apart.
The lists were nothing alike. The old books had been built to last; the new ones, almost without exception, had not. Worse, the stories had thinned. Marketing departments had begun writing to formula. The picture book — arguably the first piece of art most people encounter — had been quietly demoted.
That afternoon, Clifford registered a domain, drove to a printer in Dallas, and asked what it would cost to make a thousand copies of a hardcover storybook the old way: Smyth-sewn, acid-free, properly designed. Bobwhite & Bramble Press began three weeks later, in his garage, with two manuscripts and an illustrator he'd worked with for twenty years.
Two titles — The Hour Before Birds and A Lantern, A Mouse, A Door — are printed in a run of one thousand. Both sell out by Christmas.
We move into a small office and warehouse two streets over on Westheimer. We sign our first agented manuscript and begin shipping wholesale to independent bookstores in Texas and Louisiana.
Our breakout title spends nineteen weeks on regional independent-bookstore bestseller lists and is featured by the Houston Public Library system.
We begin accepting unsolicited manuscripts twice a year. Three of the first ten authors we publish from the slush pile go on to win regional awards.
Three full-time staff, twenty-two titles in print, and a small but loyal readership across the United States, Canada, and the United Kingdom.
Every word and illustration in our books is made by a credited human being. We pay them properly and put their name on the cover.
If a book is worth publishing, it is worth binding so that it survives the child it was bought for.
If a title is in print, you can buy it. We don't run "limited editions" of books we plan to reprint anyway.
"The shelf in a child's bedroom is the most demanding audience in publishing. A book has to earn its place there every single night."— Clifford Miguel, founder